Archive for the ‘Madonna’ Category
ROLLINGSTONE: CELEBRATION: 4 STARS!
“What? No ‘Hanky Panky’? Is this some kind of joke? Given how obsessive her fans are, it’s a thankless task for Madonna to assemble a two-CD hit collection. But from the opening one-two of ‘Hung Up’ and ‘Music,’ two of her best ever, Celebration kicks off with pure bliss and never lets up. It’s a dizzying, nonchronological spin through the Madonna years, years it makes you feel lucky to be living through. Her hitmaking genius is unmatched and—with the new Eurocheese blast ‘Celebration’ and the Lil Wayne duet ‘Revolver’—undiminished. It’s almost enough to make you forget that they left off ‘Angel,’ which is just plain crazypants.” —Rob Sheffield
ROLLINGSTONE: MADONNA AND LIL WAYNE SHOOT IT OUT IN NEW SONG “REVOLVER”
Madonna and Lil Wayne’s collabo “Revolver,” the second exclusive new track from the Material Girl’s career-spanning Celebration, leaked in high quality yesterday, roughly two weeks before the collection is released on September 29th. The track had previously appeared in May as a demo recording, but this cleaned-up version with its sirenesque synths is more befitting of the Queen of Pop. The song shares its name with the same titular firearm as Wayne’s supposed Rebirth track “Hot Revolver,” but that’s where the similarities end. “Revolver” sounds more like Britney Spears’ “Radar” than Tha Carter 3.
“My love’s a revolver, my sex is a killer, do you wanna die happy?” Madonna sings in the chorus. Weezy continues the barrage of ammunition references during his brief cameo toward the end of the song, rapping “My love-using weapon, and yes I use it well. Then I let the rose petals cover up the bullet shells. I never shoot and tell, I only shoot to kill. And the vest ain’t gonna help it even if you’re laying still.” Sadly, those two lines represent half of Wayne’s entire appearance. It’s as fleeting as a cameo as you can make, but it’s Madonna’s show on what’s probably the most violent love song ever.
As Rolling Stone previously reported, Celebration also boasts the Paul Oakenfold-produced first single “Celebration.” “Revolver” will only be available on the double-disc edition of Madonna’s latest greatest-hits collection, but as this collection spans Madonna’s entire Warner Bros. career, the two-CD is the better investment. The Celebration digital release will also feature another new track called “It’s So Cool,” but that song hasn’t surfaced yet.
Rollingstone.com
NEW ‘CELEBRATION’ VIDEO AND EXCLUSIVE GAME

As announced earlier, a second version of the ‘Celebration’ video has been created and features footage of fans filmed during the Barcelona and Milan stops of Madonna’s 2009 ‘Sticky & Sweet Tour’!
Make sure to check Madonna’s official Myspace page by 8:00am GMT tomorrow for the video premiere as well as a related Myspace based game! http://www.myspace.com/madonna
Special THANX to jwad for the heads up!
COVER ARTWORK: CELEBRATION VIDEO COLLECTION
2 DVD collection features 47 videos, including unedited and never before seen footage of ‘Justify My Love’ along with 18 Madonna videos to be released on a 2 disc DVD compilation for the very first time including ‘Into The Groove’ and ‘Give It 2 Me’ as well as the just completed video of Madonna’s new single ‘Celebration.’
Amazon.com
(BILLBOARD)’CELEBRATION’: MADONNA’S 40 MOST IMPRESSIVE INSTANTS
by Gary Trust
September 15, 2009
Today’s Chart Beat entry focuses solely on Madonna, who reaches a milestone in her legendary Billboard chart career. Spotlighting another artist in light of Madonna’s latest feat would be, simply, immaterial.
TAKE A BOW: 26 years to the chart week after notching her first No. 1 on Dance/Club Play Songs, Madonna rules for a 40th time, rising 2-1 with “Celebration.” She easily extends her lead for most No. 1s in the chart’s history, pulling further ahead of runner-up Janet Jackson, who has 18.
Madonna first appeared on the tally with “Everybody” on the chart dated Nov. 6, 1982, eventually taking the cut to No. 3. Her follow-up, “Burning Up/Physical Attraction” (counted as one title in Billboard’s archives), also reached No. 3.
The third time was the charm for Madonna, as the double-sided “Holiday/Lucky Star” marked her first No. 1 stay beginning Sept. 24, 1983.
Here, in chronological order, are Madonna’s 40 No. 1s on Dance/Club Play Songs. For titles that spent multiple weeks at No. 1, total frames in the lead are noted in parentheses.
1983, “Holiday/Lucky Star” (five weeks)
1984, “Like a Virgin” (three weeks)
1985, “Material Girl”
1985, “Angel/Into the Groove”
1987, “Open Your Heart”
1987, “Causing a Commotion (Remix)”
1988, “You Can Dance (LP Cuts)”
1989, “Like a Prayer” (two weeks)
1989, “Express Yourself” (three weeks)
1990, “Keep It Together”
1990, “Vogue” (two weeks)
1991, “Justify My Love” (two weeks)
1992, “Erotica”
1993, “Deeper and Deeper”
1993, “Fever”
1994, “Secret” (two weeks)
1995, “Bedtime Story”
1997, “Don’t Cry for Me Argentina”
1998, “Frozen” (two weeks)
1998, “Ray of Light” (four weeks)
1999, “Nothing Really Matters” (two weeks)
1999, “Beautiful Stranger” (two weeks)
2000, “American Pie”
2000, “Music” (five weeks)
2001, “Don’t Tell Me”
2001, “What It Feels Like for a Girl”
2001, “Impressive Instant” (two weeks)
2002, “Die Another Day” (two weeks)
2003, “American Life”
2003, “Hollywood”
2003, “Me Against the Music,” Britney Spears featuring Madonna (two weeks)
2004, “Nothing Fails”
2004, “Love Profusion”
2005, “Hung Up” (four weeks)
2006, “Sorry” (two weeks)
2006, “Get Together”
2006, “Jump” (two weeks)
2008, “4 Minutes,” Madonna featuring Justin Timberlake & Timbaland (two weeks)
2008, “Give It 2 Me”
2009, “Celebration”
Comparing her chart champs by decade, Madonna scored nine Dance/Club Songs No. 1s in the ’80s and 13 in the ’90s. Since 2000, she has almost doubled her total, adding 18 No. 1s in that span.
At five weeks each, “Holiday/Lucky Star” and “Music” represent Madonna’s longest reigns. “Ray of Light” and “Hung Up” are next with four weeks each in charge.
GET TOGETHER: Perhaps the cowboy hat Madonna wore on the cover of her 2000 album “Music” was a foreshadowing of this week’s accomplishment. Madonna joins only two other artists in the history of Billboard charts to collect 40 No. 1s on a survey. The prior two each managed the feat on Country Songs.
Between 1968 and 1986, Conway Twitty sent 40 songs to the top of Country Songs. He first led with “Next in Line” and last reigned with “Desperado Love.”
George Strait joined the exclusive 40-No. 1s club when “She Let Herself Go” reached the top of Country Songs in January 2006. He had first held sway with “Fool Hearted Memory” in 1982. He passed Twitty with “Give It Away,” his 41st No. 1, in September 2006.
Strait holds the mark for most No. 1s on a Billboard chart. His sum stands at 44, with “River of Love” having become his latest leader in April. He could add a 45th topper as soon as next week: “Living for the Night” holds at No. 2 with a bullet this week.
(While Madonna Louise Ciccone has never appeared on Country Songs, another Madonna has. Madonna Dolan rose to No. 82 with “The Home Team” in 1988).
DEEPER AND DEEPER: If we include Madonna’s No. 1s on other current-based, domestic Billboard charts, her chart-topping total swells to a colossal 146 leading entries.
By format, here are Madonna’s No. 1 sums on the following lists:
Dance/Club Play Songs: 40
Hot Dance Singles Sales: 33 (Last week, “Celebration” crowned the list, becoming her perfect 17th No. 1 of 17 entries this decade).
Hot Singles Sales: 15
Billboard Hot 100: 12
Radio Songs/Hot 100 Airplay: 9
Billboard 200: 7
Hot Dance Airplay: 7
Top Music Video Sales: 7
Adult Contemporary: 5
Internet Albums: 3
Digital Albums: 2
Digital Songs: 2
Hot Videoclips: 2
Pop Songs/Mainstream Top 40: 1
Dance/Electronic Albums: 1
WHO’S THAT GIRL: Madonna has made two other notable appearances on Dance/Club Play Songs, although she did not receive artist credit on either top five track.
She wrote and contributed background vocals to Jellybean’s 1984 No. 1 “Sidewalk Talk.”
In 1996, she took part in Junior Vasquez’s No. 2 “If Madonna Calls.” The song features telephone answering messages from Madonna to Vasquez.
In a career as luminous as Madonna’s, that last effort might just be the only case where Madonna could be accused of phoning it in.
**And a BIG shoutout to two of our members ‘hollywoodguy’, and ‘RockSteady’ for sharing this article.
M SITS FRONT ROW AT MARC JACOBS SHOW
With Madonna Watching, Marc Jacobs Sends Out Kewpie-doll Look At Fashion Week
By SAMANTHA CRITCHELL / Fashion Writer
Marc Jacobs, mission accomplished.
Jacobs is heralded as New York Fashion Week’s bellwether designer, and Monday night he reminded style-watchers why: He had the biggest celebrity in his front row _ Madonna; he had highly photogenic Kewpie-doll models _ unlike anything else this round of fashion previews; and he had very feminine clothes _ which is probably where other designers will be two seasons from now.
His spring collection had lots of frou-frou ruffles and pearl embellishment, yet his muse still seemed to be a strong woman with an obvious edge. Think of his customer as the cool, creative type who can find the best thing in a vintage store, or buy a Jacobs’ blush-colored ruffled jersey dress that mimics it.
Some of his looks went much farther than that _ balloon genie pants and pleated bloomers come to mind _ but hopefully those are more for magazine editorial spreads than the real world.
For store racks, he offered pointelle sweaters in gray and burgundy, and wearable jackets that had a hint of military influence. The idea is to wear a full skirt or skinny pants underneath.
“He is so incredibly influential with so many people,” said stylist Rachel Zoe as she walked into the Armory building that has hosted Jacobs’ show for years.
Some of Jacobs’ suits, with a stream of ruffles down the jacket that was continued on the skirt or trousers, could be the wave of the future. (No need to try the bras and corsets he styled on top of that officewear.)
Plus, there are his always-popular shoes, this time a clunky, chunky futuristic sandal that didn’t have a high heel. This was Jacobs bucking another emerging trend from the other runways as Fashion Week finishes up its fifth day.
Either the shoe or the very narrow pencil skirts that hit the mid-calf caused the models to walk in tiny, robotic rapid-fire steps.
Madonna, whose hair was in a Brigitte Bardot style, took her seat just before the first model stepped out. She wore a black leather jacket and a black lace miniskirt.
Source: http://www.huffingtonpost.com/2009/09/14/madonna-sits-front-row-at_n_286681.html
















































